September 22, 2017

Photojournalism Now: Friday Round Up - 22nd September, 2017

This week on Photojournalism Now: Friday Round Up - the Indian Photography Festival opens in Hyderabad and locally Press Dynasty opens at Magnet Galleries Melbourne.

Festival: 
Indian Photography Festival - Hyderabad


(C) Kate Geraghty

The third edition of the Indian Photography Festival (IPF) opened yesterday. I had the pleasure of playing a small role in the curation of IPF by participating in the selection of the open call entries. I enjoyed the opportunity to view work by many photographers I didn't know, surely one of the greatest attractions of festivals like this.

This year the program boasts more than 520 photographers from 40 countries showcasing a diverse range of work. It's great to see Australian photojournalist Kate Geraghty's work on the drug war in the Philippines (above) as one of the major exhibitions. Other photographers participating in various capacities (workshops, artist talks and presentations) include Natan Dvir, Andrea Bruce, Reza Deghati, Stuart Franklin, Sudharak Olwe, Q Sakamaki, Cecilia Paredes, Prashant Godbole, Manoj Jadhav and Gurinder Osan.

Plus there is a host of lesser known photographers from which selected works are featured here:

Helena Schätzle - Dharavi, Mumbai









Telaj Mewar
Indian Brick Workers









Camillo Pasquarelli - The Endless Winter of Kashmir
Student award of excellence, 2017 Alexia Foundation





Sabine Hartert - Absences






The IPF runs until 8 October. To find out more visit the festival website

Exhibition: Melbourne
Bruce & Cliff Postle - Press Dynasty







I don't know how many father and son press photographers there have been, but in Australia the Postle name has been synonymous with newspapers since the 1920s when Cliff Postle was shooting for the Brisbane Courier-Mail. His son Bruce followed in his father's footsteps, first with the Courier-Mail before making the move to Melbourne and carving a name for himself at The Age. 

This retrospective at Melbourne's Magnet Galleries brings together a selection of images never exhibited together, presenting a fascinating walk down memory lane for many, as well as insights into our recent history.

Until 14 October
Magnet Galleries Melbourne
Level 2
640 Bourke Street
Melbourne

September 15, 2017

Photojournalism Now: Friday Round Up - 15th September, 2017

This week on Photojournalism Now: Friday Round Up - a special feature on Photoville New York, plus The Aftermath Project 10th Anniversary.

Special Feature:
Photoville 2017

(C) Kisha Bari

Since its inception in 2012 Photoville has become the largest annual photographic event in New York City, with more than 90,000 attending last year. The festival features exhibitions in and on more than 55 shipping containers in Brooklyn Bridge Plaza, as well as night projections, workshops, debates, and a mini-trade show with vendors, publishers and gear demonstrators. Free of charge and open to the public, Photoville is unlike any other photo festival in the world.

This year Photoville runs over two (unofficial) long weekends 13-17 and 21-24 September.

Newest Americans, a storytelling project about immigration and American identity, kicked off Photoville this week with a live projection in the famed Photoville Beer Garden, in collaboration with Talking Eyes, VII and Rutgers University-Newark. Newest Americans chronicles the immigrant experience using documentary film, photography, fiction and nonfiction essays, podcasting and interactive storytelling, to present "fresh narratives on the emerging majority-minority population and the nation it is transforming."  

(C) Ed Kashi 

(C) Ron Haviv

(C) Julie Winokur

Kisha Bari - ReSisters: Behind the Scenes of The Women's March

Australian Kisha Bari's exhibition ReSisters: Behind the Scenes of The Women's March, is a project that has seen Kisha cover the Women's March movement since January this year. There are some fantastic images in the show and Kisha has captured wonderful, candid moments. 

"I am honored to present some never before seen imagery of the lead up to the Women's March on Washington from NYC to D.C," says Kisha. "The work presented captures this awesome women-led movement and celebrates the political power of diverse women and their communities to create transformative social change.”





(C) All images Kisha Bari

Panel Discussion: Reclaiming Photography
(C) Danielle Villasana

This should be a great talk (wish I could be there for this alone) featuring founding members of RECLAIM: an alliance of The Everyday Projects, Native Agency, Majority World, Women Photograph, Minority Report [renamed from Visioning Project], and Diversify Photo.

Panelists are:
Laura Beltrán Villamizar (Native Agency)
Shahidul Alam (Majority World)
Daniella Zalcman (Women Photograph)
Brent Lewis (Senior Photo Editor ESPN’s The Undefeated)
Tara Pixley (Scholar/Filmmaker/Photographer)
Austin Merrill (Everyday Projects)

For more details check out the link here.

Random images from exhibitions you should check out if you're lucky enough to be in NYC!

Insider/Outsider - Women Photograph 
(C) Abbie Trayler-Smith 

The Blood and the Rain - Magnum Foundation
(C) Yael Martínez

Carbon's Casualties: How Climate Change is Upending Life Around the World
New York Times (C) Josh Haner

We Have Experienced Calamities
Médecins Sans Frontières (MSF)
(C) Juan Carlos Tomasi

Visit the Photoville website for all the details.


War is Only Half the Story
The Aftermath Project 10th Anniversary
(also exhibiting at Photoville)

(C) Stanley Greene

War is Only Half the Story is a ten-year retrospective of the work of the groundbreaking documentary photography program, The Aftermath Project.

Founded by photographer Sara Terry to help change the way the media covers conflict – and to educate the public about the true cost of war and the real price of peace – The Aftermath Project has run a grant program for the past decade, supporting some of the best documentary photographers in the world working on post-conflict themes. You can check out the project at Photoville.

Juan Arredondo/Finalist, 2016 “Everybody Needs a Good Neighbor”
Angél, 14, and Daniel (right), 16, members of the ELN Che Guevara Front pose for a picture at their camp in Chocó. The Che Guevara front operates on the Pacific coast of Colombia patrolling important corridors to allow the export of cocaine to the Pacific Ocean and into Mexico. February 17, 2014.


Isabel Kiesewetter/Finalist, 2013 “Conversion”
Fusion Festival, Larz Former Rechlin-Larz military airfield
1933 - 1945: Main testing ground of the Third Reich’s Luftwaffe
1945 - 1993: Used by the 19th Fighter Bomber Regiment West of the Group of Soviet Forces in Germany


Stanley Greene/Grant Winner, 2013 “Hidden Scars”
A scarecrow and his guard dog watch over the village of Bamut, which was always a rebel stronghold, and was the last village to fall to Russian forces. The entire village was leveled by the Russian military. Bamut is near the Chechen border with neighboring Ingushetia, which lies to the west of Chechnya. In April 2014, Chechen President Ramzan Kadyrov sent forces on a cross-border raid into Ingushetia. A few years previously, he sent forces on a similar raid into Dagestan, to the east. Kadyrov’s pan-Caucasus ambitions are making his neighbors uneasy. Bamut, Chechnya, 2013. 

The tenth anniversary book, which is co-production with Dewi Lewis Publishing, takes a completely new approach to presenting the work The Aftermath Project has supported. Rather than a chronological order, photographs are curated under five themes, defined by the poetry of Nobel Laureate Poet Wislawa Syzmborska:

“All the cameras have gone to other wars…”
“After every war someone’s got to tidy up…”
“Perhaps all fields are battlefields…”
“This terrifying world is not devoid of charms…”
“Reality demands that we also mention this: Life goes on.”

There is a Kickstarter project to fund the book.

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September 08, 2017

Photojournalism Now: Friday Round Up - 8th September, 2017

This week on Photojournalism Now: Friday Round Up - Getty Images announces grant winners at Visa Pour L'Image, Vlad Sokhin wins for Warm Waters and Head On Photo Festival 2018 calls for submissions.

Awards:
Getty Grants for Editorial Photography 2017


Five photojournalists have been awarded a grant of $10,000 each in this year's round of Getty Images Grants for Editorial Photography which will enable them to continue working on, what are, extraordinary and important stories.

Hugh Pinney, Vice President of News, Getty Images said the winners were photojournalists “working at the cutting edge...ensuring that often ignored global issues are brought to the forefront of public consciousness. The projects selected explore a range of complex and thought-provoking subjects and we are thrilled that, through the Getty Images Editorial Photography Grant, we are able to support such talent as they continue to shed light on some of the most moving and significant moments of our time.”

And the winners are:

Alejandro Cegarra for Living with Hugo Chavez’s Legacy

'In the latter years of Hugo Chavez’s presidency, Venezuela enjoyed an oil-fueled economic boom that made his vision of a more equitable, wealthier and safer society seem almost attainable. But by the time of his death, in 2013, he left his successor an economy in shambles, tenuous political support, and rising violence. Four years on, the country has been plunged back into a state of poverty and conflict, with citizens struggling to afford food and the youth clashing with the security forces on a regular basis. This project seeks to give a voice to the frustrated and disappointed people of Venezuela who feel consistently ignored by those above them." Alejandro Cegarra.

(C) Alejandro Cegarra

Paula Bronstein for The Cost of War 

"Following the US-backed military operation against ISIS in the Iraqi city of Mosul, the threat to civilians in the region remains high. The use of mines in the city poses a serious problem for civilians, who are the most common victims of such devices. More worrying still is the revelation that, according to the Mines Advisory group, these mines contain 60 times more explosives than a standard anti-personnel mine, drastically increasing the likelihood of death or severe and permanent injury. This project aims to document the silent victims of a conflict that has claimed thousands of lives and left many more maimed." Paula Bronstein.

(C) Paula Bronstein

Antonio Faccilongo for Habibi 

"The Gaza Strip and the West Bank are typically portrayed as places ravaged by conflict, however for the citizens of these regions they are also home, a place where they must build a life amidst the turmoil. This project focuses on the phenomena of ‘sperm smuggling’ by Palestinian women, a practice which allows them to conceive children with their husbands who are serving long term sentences in Israeli prisons. Family remains the most important social structure for many Palestinians and for many of these women this is their only hope for a family." Antonio Faccilongo.

(C) Antonio Faccilongo

Barbara Peacock for American Bedroom 

"The transformation of the pedestrian into objects of artistic merit has long been one of the aims of photography and it is this tradition that the project seeks to continue. In focusing on the commonplace this project hopes to unveil the idiosyncrasies latent in everyday life. The expansive nature of the project invites us to introspect on the complexity of humankind in the west, particularly in America." Barbara Peacock.


(C) Barbara Peacock

Alessandro Penso for The Deal

"The refugee crisis in Europe has dominated the media over the last few years, with xenophobia and closed mindedness often leading the debate. It is therefore vital that we ask, what are the consequences of such attitudes? This project explores the way in which EU regulation has failed to adequately welcome refugees by depicting the exploitation and long-term displacement faced by many of these already extremely vulnerable people." Alessandro Penso


(C) Alessandro Penso

Since its conception in 2005, Getty Images Editorial Grants program has provided grants in excess of US$1.4 million. Congratulations to the winners!


Award:
Vlad Sokhin wins Visa d'or France Award for the Best Digital News Story


Big shout out and congratulations to Vlad Sokhin for winning this award for his work, Warm Waters. I've interviewed Vlad a few times over the years and he's doing some brilliant work on important topics and drawing global attention.

This year's jury members were: Dimitri Beck / Polka, Samuel Bollendorff, photographer and president of the jury, Agnès Chauveau / INA, Pascal Delannoy / franceinfo, Olivier Laurent / Washington Post, Benoit Leprince / Paris Match, Marie Sumalla / Le Monde and Marie Valla, FRANCE 24. The Award is sponsored by rance Médias Monde, France Télévisions, Radio France and INA.

Some other photos from Vlad's Warm Waters series:





Call for Submissions:
Head On Photo Festival 2018

Australia's largest photography festival, Head On, held annually in Sydney, is calling for submissions for exhibitions. Check out the link here